A Fascinating Synchronized Ecoed in Mahfuzam Mango ।। মজিদ মাহমুদের মাহফুজামঙ্গল
To utter one I mean you
To utter
two means you
Whatever
be it three or thirty three Crore nothing is existing but you
So your
solicitors call me polygamous
Hearing
these calumnies do you think me polygamous
And
keep me standing outside the door. [Polygamous, p. 73]
An untouched surrounding realm the poet Mozid Mahmud (born in
16 April 1966, Pabna,
Bangladesh) unfolds to
his readers, weirdlessly stands with a view to spreading its synchronous
events. Among his contemporaries he is a poet of genius, eco of the time, and
his greatness has been almost well-known in the contemporary Bangla literature,
especially Bangla poetry, as for his Mahfuzam Mangol, which remains
unaffected by his contemporaries. Also, recognized as one of the most enigmatic
& significant roles in Bangla poetry, the part of his poetry collection
Mahfuzam Mangol has been blended with
the middle age Bangla literature, and
the complex dept in outlook essences of the multicultural trends, as seen in
his poetry, particularly in his Mahfuzam Mangol, where reflects Mozid’s
habitual loftiness to objects and images as distinguished from mental
performance of human experiences. In each of the individual poems of Mahfuzam
Mangol, poet Mozid solicit his readers only to yield themselves to a dream; and
this , too, with their eyes open, and
with their judgment perdue behind the curtain, really to arouse the
readers at the first motion of their will.
Then a question arises behind it, and that is, as seen in
poet’s poem—
While
Calling God Mahfuja stands in front
So
many times I raise hands for prayer at morning or evening
[Nomenclature, P. 82]
Poet Mozid appears to have seen to pain to the imaginative
world, and not to the fancy, involving even the interchangeability of senses,
eye for the ear, presenting the truth and wisdom in a manner and style suited
to his genius and a perfect appropriateness of words and meaning. Our attention
as a reader is constantly holds by the rich variety of experience with the new
realm, which the poetry of the poet Mozid offers, yet at no time do the
contrasts seem inappropriate or clumsy. As with great deal of popular
entertainment, his poetry get the readers involved not only natural and
pastoral world, but also unfolds the world beyond the intellectual and ritual
life that remains in the heart of every individual of the socio-cultural of
ancestors and their descendants, as in Mahfuja Mangol, referring to the
minute accuracy in the description of the image of the individual, for example—
That
wrecked time is my beyond my knowledge
When
my heart fails to count your name
My
soul is now awaken
Counts
only you day and night
Be
it in weal and woe, conscious and subconscious whole existence
The world of the poetry of the poet Mozid is full of
memorable experiences, some very painful and others very appealing, there is
rarely a scene in which we are not made to feel great sympathy for antagonism
towards or to sense the tension that exists between them. There are a number of other respects in which
his poetry arena is particularly effective theatrically: his poetry contains
exciting physical action, very amusing comic routines and marvelous language.
All these are good reasons why his poetry unlocks a world of new experiences.
Seeing amorous dancing
of Mahfuja the desire of creation rises
With huge luster of the
moon Jagannathpur is over flooded
In your garden grazes
yak
Gestures and postures
indicate foolish Radhika`
Yet you have adorned me
uncivilized Kanai
Endless anguish poured
on milkmaids’ love
Given kadamba
flowers in both hands
Taking the fire under
control starts game
I only write annals
learned Madhab [Learned Madhab]
It’s most surprising that the many-faceted poetry world with
their elegance, earthiness, slapstick and deep seriousness expands their
invisible hands with attraction adapters in the world of Buddadism, ritual,
offering, Sufism, philosophical mysterious, the nature of civilization, the
role of nature and the purpose of Art as opposed to Nature, and conflicts of
the urban life and insight art of living of modern life, and inspires his
readers.
Despite
your company Mahfuja I lonely pass my day
You were
my motherly companion in childhood association in youth
married
state
Today
though your loose skin hangs in my thorough thirst
Yet
without your arm I have no other shelter.
[Shelter, p. 72]
The world in which the poet Mozid writes and which he
portrays to some extents in his poetry is remarkably like our own. There lies
some of the important issues portrayed in the poetry of the poet Mozid, and
although the significant poet of our time artistically exposes solutions they
do set out the suspected and conflicted world in a vital way, but his readers
can’t avoid the phenomena with which his readers are confronted in the world of
his poetry .
You are awake up in my silence and humdrum
You are awake up in my disheveled and unknuckled
thought
When I cry and float in depression
When I pulling up heart put on the palm of hand
Then you keep swaying silently the arrayed
affections of mother
I shiver up then in the armour and helmet given by you
[Armour and Helmet, p. 69]
Poet Mozid frequently sinks such as his poem Armour and
Helmet, causing thereby a sudden alternation of feeling in the mind of a
reader of cultivated taste, that is, one of his poetry’s most appealing strands
is a heart-touchy world that stands with ever-knowing discourse hidden in the
past, the other attitude, philosophical complexity and its unknown world beyond
our surroundings as seen in his poetry book Mafizamongal, which bears
diversity attitudes of multicultural spontaneous effect in the mind of the poet
to regulate the flow of passion, and this balance of diversity of multicultural blending is
organized by the will and judgment of the poet consciously, with a view to
producing that fascinating intellectual & passionate pleasure, which the
poetry of the poet Mozid is expected to give, that reflects in, i.e.
Mahfuja you are my life ,my speech
Purchased, so I am at your service
Against your order none can
touch even
My individuality, my sound,
poem
And issue, all wealth is in
your name kept [p. 87]
This means that his poems result from an exalted state of the
mind, and since his poems are the products of the consciousness state of the
mind, it must be formed into metrical world deliberately and purposely for
blending delight with emotion, traces of organization must also be discernible
throughout a poetic composition, and also richly assimilated and even
powerfully original, specially in the matter of poetic technique. Consequently,
he came to appreciate and absorb cultural cult and sensational and intellectual
devices to arouse the esoteric consciousness of the blending of history and
contemporary time, which stirs hidden intuitive associations, believing that
the totality of the associations creates some fundamental association.
There is, however, a certain fascination for Mozid’s readers in the fact that
the poetry is absolutely Mozid’s passionate, but unless the readers of his have
a very extensive knowledge of all his poetry it is unlikely that the approaches
of his poetry either appeals to or have much value for the readers, for
example, If ever you turn away your
face from me/ Earth’s soil and grass will be radioactive/Unimaginable winter
will retain my life empty [P. 85]
The readers allow his poetry collection Mahfuzam Mangol
to make its impact on them, and only make such deductions about it as can be
reasonably sustained from the effectiveness of the texts of each poem of Mahfuzam
Mangol. He, however, illustrates spontaneous language with a view to
producing passionate entertainment with emotional excitement as he conveys the
most fantastic thoughts in the most correct and natural language. It’s hardly
difficult, however, to avoid coming to the conclusion regarding his poetry
collection Mahfuzam Mangol, which is a most remarkably conclusion to an
artistic world as exposed to the readers with close association of the image
and the individual of the representative eco of the heart of the time in wonder,
depicted in Mahfuzam Mangol as in the heart of ours like
Heaven’s prostitute you
are amorous expert in dancing
The shark of water took
away bones and ribs
Waiting for you
Nobody knows of my past
existence
Crossing the ocean you
have held me up
Amidst
your music [ Amidst music]
A further light on poet Mozid’s views smoldering in each poem
of his poetry collection Mahfuzam Mangol is constantly unfolding through a philosophical
tread connecting to Bangla culture and tradition with epic essences is that his
readers delude themselves into believing a play to be a reality, as long as
they’re witnessing it, tasting internal world and external world of Mahfuzam
Mangol, which brings together places and events, and history and legends
with epic experience, and then alone remains, but that the most significant;
its synchronization having been, his chief achievement for the preceding
inquisition and prosaically aesthetic association of austere purity.
Hamid Rayhan: Poet, Fiction writer
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